![]() ![]() ![]() ![]() ![]() Guided by empathy and openness to the new, this D.J. Throughout, we feel the moral weight of the personal stories behind the music, whether of dispossessed African musicians who are celebrated abroad while living in illegal anonymity, or the Mexican immigrants who harvest and prepare our food behind the scenes. Humor and humility infuse descriptions of a street dance party in Kingston, Jamaica traffic in Cairo and a smoke-filled music store in Beirut. Artists may be alarmed by Clayton’s generally untroubled view of sharing pirated files, but it is hard not to be swept up in his celebration of viral culture and the joys of public listening. Readers learn the difference between “refix” and “remix” and the secret to Cher’s inescapable hit “Believe,” while glimpsing the more esoteric (and decidedly male-dominated) worlds of international D.J.-ing and Maghreb pop music. His frank curiosity and broad musical tastes form the basis for this terrific book about the globalization of ideas in our age of “digital superabundance.” Examining the analog-to-digital shift through the lens of music - specifically, the hardware, software and online platforms that have transformed art and commerce - these in-depth essays explore how technology continues to affect our “cut-and-paste culture,” from the ease of streaming MP3s on Spotify to the proliferation of low-res cellphone dance videos. Rupture, Clayton has traveled the world performing and seeking out new tunes. ![]()
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